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Beginner's guide

3D printing, without the jargon.

Everything a normal person needs to know before ordering a 3D print: how the machines actually work, why one part costs R250 and another costs R2,500, what the plastics are for, what the technology genuinely can't do, and what all the words mean. No sales pitch — this is the explanation we end up giving on WhatsApp most weeks, written down properly, with three challenges along the way so you're not just reading at it.

Written by the team at Forge & Figures, Cape Town · About a 12 minute read · Three things to play with

A Creality printer laying down the first layers of a flat part on the build plate at the Forge & Figures studio in Cape Town

On this page

  1. What 3D printing actually is
  2. The types you'll meet
  3. From idea to object
  4. Files and formats
  5. Materials, in plain English
  6. What drives price and time
  7. What it's great at — and isn't
  8. Things that surprise people
  9. Myths worth dropping
  10. Safety and sensible use
  11. Glossary
  12. Beginner questions

Three challenges are built into the sections below — pick your material, price a print by moving the sliders, and see how many myths you can call. Your run gets scored at the bottom.

The short version

Five things that explain most of it.

It builds up, it doesn't cut away.

A printer adds material layer by layer instead of carving it out of a block. Nothing is wasted on offcuts.

Layers are thinner than a sheet of paper.

We print at 0.08mm to 0.28mm per layer. A 100mm tall piece is somewhere between 350 and 1,250 stacked layers.

It takes hours, not minutes.

A palm-sized part is typically 2-6 hours on the machine. A big display piece can run for days.

Someone has to make the 3D file first.

A photo isn't a 3D model. Either the file already exists, or it gets designed or reverse-engineered before anything prints.

There's no tooling, so one is affordable.

Injection moulding needs an expensive mould before unit one. Printing doesn't, which is why it wins for one-offs and small runs.

So what is it, really?

Almost everything around you was made by taking material away or by forcing it into a shape. A lathe cuts a rod down. A CNC mill carves a block. Injection moulding squirts molten plastic into a steel mould that cost tens of thousands of rand to cut before it produced a single item.

3D printing does the opposite. It adds material, a fraction of a millimetre at a time, until the object exists. Picture a very precise, very patient hot glue gun mounted on rails, drawing one flat slice of your object, moving up 0.2mm, and drawing the next one — a few thousand times.

That difference has one enormous consequence: there is no tooling. No mould to pay for, no minimum order to justify it. The first item costs roughly what the tenth costs. That's why 3D printing is the right answer for a discontinued bracket, a prototype, or fifty branded keychains — and the wrong answer for fifty thousand of them.

The second consequence is that complexity is close to free. A hollow lattice, an internal channel, or a hinge printed already assembled costs a mould-maker a fortune and costs a printer nothing extra. Geometry that would be impossible to machine is just another Tuesday.

Close-up of a Creality toolhead drawing the first layers of a blue A3 car badge onto the build plate
The whole mechanism, close up: a heated nozzle drawing one flat slice of a car badge. Move up a fraction of a millimetre, draw the next one, repeat a few thousand times.

The technologies

Four kinds of printer, and which one you'll actually meet.

'3D printing' is a family of quite different processes. Almost everything a consumer or a small business orders comes off the first one — but it helps to know why.

FDM / FFF

Fused deposition modelling

What we run

A nozzle heats plastic filament — a 1.75mm string wound on a spool — to roughly 200-260°C and draws each layer onto the build plate, one on top of the last.

Best for

Almost everything a person or a business actually asks for: functional parts, replacement pieces, props, decor, prototypes, branded items, larger objects.

Watch out for

Fine layer lines are visible up close, and overhanging shapes need temporary support scaffolding that gets removed afterwards.

Resin (SLA / MSLA)

Stereolithography

A vat of liquid photopolymer resin is cured, layer by layer, by UV light shone through the bottom of the tank. The part is lifted out of the liquid as it grows.

Best for

Very small, very detailed things — jewellery masters, dental models, competition-grade miniatures where every scale and rivet matters.

Watch out for

Parts are more brittle, degrade in sunlight, and build volumes are small. Uncured resin is messy and an irritant, and every print needs washing and post-curing.

SLS / MJF

Powder bed fusion

A laser or a chemical binder fuses fine nylon powder one layer at a time. The loose powder around the part holds it up, so no support structures are needed at all.

Best for

Tough industrial nylon parts, living hinges, complex geometry, and short production runs where every unit must be identical.

Watch out for

Industrial pricing and lead times. The finish is a grainy matte, and colour choice is usually limited to dyed grey or black.

Metal printing

DMLS / SLM / binder jetting

A high-powered laser melts metal powder — titanium, stainless, aluminium — into solid layers inside an inert-gas chamber.

Best for

Aerospace brackets, medical implants, tooling inserts, and geometry that simply can't be machined.

Watch out for

Very expensive, and the print is only the start: parts still need stress relief, support removal, heat treatment and often machining.

Two Creality FDM printers side by side in the Forge & Figures studio, with a spool of white filament between them
Two FDM machines in the studio. The spool between them is the raw material — 1.75mm plastic string that gets melted and drawn out, layer by layer. That's the entire trick.

There are others you'll see in the news — printed concrete houses, printed food, bioprinted tissue — but they're research and industrial territory, not something you can order on a Tuesday. Our studio runs five CFS-equipped FDM machines, which covers the overwhelming majority of what people actually need made.

The process

From idea to object, in five steps.

This is the part most people have never seen. It explains almost every question about price, timing and why we keep asking for measurements.

A 3D model has to exist

Everything starts with a digital 3D file. There are three honest routes to one: you already have a file, we design it from your sketch, photos and measurements, or we reverse-engineer a physical object you send us. This step is where most of the human effort lives — and it's the part people don't expect to pay for.

A photograph has no depth information. It's a great reference, but it isn't a model.

Slicing turns the model into instructions

Slicing software cuts the model into horizontal layers and writes the machine a set of instructions — where to move, how fast, how hot, how much plastic to push. Layer height, wall thickness, infill, orientation, supports and colour changes are all decided here.

This is also where the price largely gets set, before a single gram of plastic is used.

The machine runs

The first layer is the make-or-break moment — if the plastic doesn't stick evenly to the bed, nothing above it will be right. After that it's mostly patience. A small functional part is a few hours; a large, detailed display piece can run for several days across multiple jobs.

Our fleet is monitored remotely, so a failure at 2am doesn't quietly waste another 12 hours.

Supports come off, finishing goes on

Support scaffolding is snipped away, seams are sanded, multi-part assemblies are glued and pinned, threaded inserts are heat-set, and anything being painted is primed first. On a display piece, this hand work is often longer than the print itself.

Functional parts usually skip this. Display pieces usually can't.

Check, then hand over

Dimensions get checked against the spec — especially anything that has to fit onto or into something else — and then it's collection in Cape Town or courier anywhere in South Africa.

If a part has to mate with an existing object, send us the object or its measurements. Guessing costs a reprint.

Layer by layer

Layer 0 / 1000.0 of 60 mm

Layers exaggerated to 0.6 mm so you can see them — our finest prints go down to 0.08 mm.

The 3D model of the Killa headphone stand, rendered in modelling software before printingThe finished Killa headphone stand printed in black and white PETG, standing on a wooden table
Step one and step five on the same job: the digital model of a Killa headphone stand, and the multi-colour PETG print that came off the plate days later.

We've written both ends of this up in detail — how a model gets designed from scratch and how a broken original becomes a printed replacement part.

Files

The five extensions worth recognising.

If someone sends you a 3D file, or you download one, it'll almost certainly be one of these.

.STL

Stereolithography

The old standard. A shell made of triangles — geometry only, no colour, no units, no editable history.

Fine to send. Most free downloadable models are STL.

.3MF

3D Manufacturing Format

The modern replacement. Keeps real-world units, colours, and multi-part assemblies in one file.

Send this if you have the choice.

.STEP

Standard for Exchange of Product Data

A proper engineering CAD format that stores exact mathematical surfaces rather than triangles.

Best of the lot. Precise, and we can still edit it cleanly.

.OBJ

Wavefront Object

A mesh that can carry colour and texture. Common out of sculpting tools and 3D scanners.

Usable, especially for organic and sculpted shapes.

.GCODE

Machine instructions

The sliced output — already committed to one specific printer, nozzle and set of settings.

Don't send this. It's the recipe, not the design.

If you're sending us something

STEP or 3MF if you have the choice, STL if that's what you were given — and if you have no file at all, that's completely normal. Photos from a few angles plus a measurement or two is a perfectly good starting point, and it's how most of our jobs begin.

Materials

Four plastics, four different jobs.

Material choice is the decision that most often separates a print that lasts from a print that disappoints. It's rarely about quality — it's about matching the plastic to where the part will live. And none of these are exotic: you've handled all four already today, probably without noticing.

PLA

Sharpest detail, easiest to print, widest colour range.

You already own some

The compostable cutlery and cup linings at a food market, and the mesh on a pyramid teabag. It's made from plant starch, which is also why it doesn't love heat.

Reach for it

Miniatures, decor, display pieces, prototypes, anything living indoors.

Think twice

Anything that sits in a parked car or in direct Cape Town sun — it softens around 55-60°C.

PETG

Tough, slightly flexible, shrugs off moisture and knocks.

You already own some

A cooldrink bottle is its near-identical cousin, PET — same clarity, same refusal to shatter. So are clear food trays and the guards over machinery.

Reach for it

Brackets, clips, housings, containers, parts that get handled and dropped.

Think twice

Fine sculpted detail — it prints a little stringier than PLA.

ABS

Heat- and impact-resistant, sands and glues beautifully.

You already own some

Lego. Every brick you've ever stood on is ABS, which is exactly why they still clutch after forty years. Also keyboard keycaps, kettle bodies, suitcase shells and black waste pipe.

Reach for it

Engineering parts, automotive interior pieces, anything that takes a beating or gets warm.

Think twice

Odour-sensitive spaces. It needs an enclosed, filtered chamber — which is why we print it in one.

ASA

ABS's weatherproof cousin. Holds its colour outdoors.

You already own some

The bits of a car that live outside: mirror housings, grilles, roof rails. Also satellite dishes and garden furniture — things left in the sun for years that haven't gone chalky.

Reach for it

Permanently outdoor fixtures, automotive trim, coastal and marine parts.

Think twice

Budget jobs and the finest detail work — it's the specialist, not the default.

Forest Spirit, a 30cm tall white PLA display sculpture with fine sculpted hair and branchesA black ASA radar sensor bracket with a printed angle scale, on a wooden desk
The same machines, two different jobs. Left: fine sculpted detail in PLA, destined for a shelf indoors. Right: an ASA sensor bracket built to hold an angle outdoors — and if you look closely, its layer lines.
Challenge 1

Which plastic is yours?

Four questions. Same ones we'd ask you on WhatsApp, in the same order.

1.Where is it going to live?

2.What matters most to you?

3.Does it carry weight or take force?

4.What is it, really?

0 of 4 answered — pick one from each row.

Full specs, heat and UV ratings, and every colour we stock are on our setup page, and we've written a longer piece on choosing the right material. If you're unsure, tell us where the part will live and how hard its life will be — that's genuinely all we need to pick for you.

Price & time

Why one print is R250 and the next is R2,500.

Nobody enjoys a quote that arrives with no explanation. Here is genuinely everything that moves the number.

Machine time

The single biggest factor. Double every dimension of a part and you get roughly eight times the volume — and something close to eight times the print time.

Material used

Not just the part. Support scaffolding, brims and the plastic purged during colour changes all get paid for.

Layer height

0.08mm layers look noticeably better than 0.24mm and take roughly three times as long. Worth it on a face, wasted on a bracket.

Infill

Most prints are hollow, with an internal lattice at 15-25%. Pushing that towards solid can double both time and material.

Supports and orientation

Overhangs need scaffolding that's printed, then thrown away, and the surface underneath it needs cleanup. Good orientation avoids a lot of both.

Colour changes

Our CFS units swap filament automatically, but each swap purges the nozzle clean. A four-colour print can waste more plastic than the part weighs.

Finishing

Sanding, priming, painting and assembly are hand labour. On a display piece this is frequently the largest line on the quote.

Design and modelling

If the file doesn't exist yet, someone has to draw it. A simple bracket is quick; a sculpted character is not.

How to spend less, honestly

  • Send measurements, not just a photo — modelling time is real time, and guesswork gets billed twice.
  • Ask whether the part can be scaled down or hollowed out. Both cut time and material sharply.
  • Accept coarser layers on surfaces nobody inspects up close.
  • Batch your order. One run of ten costs far less per unit than ten separate jobs.
  • Stick to one colour unless branding genuinely demands more.
  • Print functional parts in the final colour instead of painting them.
  • Give us lead time. Rush jobs have to displace scheduled ones.
A full build plate of teal and yellow two-colour Refreshi keychains, printed as a single batch
One plate, one job, forty-odd keychains. Batching is the single biggest lever a customer controls — and the yellow lettering is a second colour, which the printer purges filament to switch to.
Challenge 2

Move the sliders, watch the price move

Every control here is a real cost driver. Change one and see what it does — that's the whole lesson.

How big is it?
Material
Layer height (detail)
Infill
Colours
Finishing
How many?

Machine time

2.5 hrs

Filament

55g

includes supports and purge waste

Ballpark

R200 – 350

This is an illustration, not a quote. It's built from our published starting prices and typical print settings, so it will show you which decisions cost money — but a real number depends on the actual model, and we've never once quoted a job without looking at one. Send us yours for a real one.

For a sense of the ranges — functional parts and decor start around R250, miniatures and figurines around R500, and large display pieces around R1,500. Those are starting points, not quotes; the pricing section has the detail.

Reality check

What it's brilliant at, and where it isn't.

A printer is a tool, not magic. Knowing the edges saves everybody a disappointing week.

Brilliant at

  • One-offs and small runs — no mould, no tooling, no minimum order quantity
  • Geometry you can't mould or machine: internal channels, lattices, joints printed pre-assembled
  • Parts that don't exist anymore — discontinued knobs, clips, brackets and trim
  • Iterating fast, where three versions in a week each cost very little
  • Exact-fit custom sizes: jigs, mounts and organisers built around your specific object
  • True-to-scale prototypes before you commit to expensive tooling

Not the right tool for

  • Volume manufacturing — past a few hundred identical units, injection moulding wins on unit price
  • Glass-smooth surfaces straight off the machine — smoothing is manual work, not a setting
  • Very large single pieces — beyond the build volume, a part gets split and joined
  • Sustained heat — PLA on a dashboard in a Cape Town summer will droop. That's material choice, not a fault
  • Safety-critical load-bearing parts — climbing hardware, vehicle structural components, anything where failure hurts someone
  • Optical clarity — 'clear' filament is translucent, not window glass
  • Genuine food safety — layer lines trap bacteria and most filaments aren't certified for repeated food contact

Good to know

Six things that surprise almost everyone.

Your print is mostly air

A typical part is two or three solid walls around an internal lattice at 15-25% density. It's a deliberate strength-to-weight trade, not a shortcut.

Strength has a direction

A printed part is strongest along its layers and weakest across them, so it tends to split along a layer line before it snaps anywhere else. Which way a part is stood up on the plate is a real engineering decision.

Tolerances are around ±0.2mm

Precise, but not machine-shop precise. Where a part has to press-fit or thread into something, we design in a deliberate clearance rather than hoping.

Plastic shrinks as it cools

Larger parts shrink more than small ones, and ABS and ASA more than PLA. It's compensated for, but it's why a big flat part is harder than it looks.

Print time follows height and surface, not weight

A tall, thin, hollow piece can easily take longer than a short solid lump that weighs three times as much.

Layer lines can be reduced, not deleted

Finer layers, sanding and primer all help. Anyone promising an injection-moulded finish straight off an FDM machine is overselling.

Myths

Things you've heard that aren't quite true.

No reading required for this one — just back yourself on each statement and see how you do.

Challenge 3

True or false?

Nine statements. Some are true, some are the things people believe that aren't. Commit to an answer before you read the explanation.

9 to go

  1. A 3D printer can work straight from a photo of an object.

  2. Most 3D printed parts are hollow inside.

  3. A printed part is equally strong in every direction.

  4. For 50,000 identical parts, injection moulding beats 3D printing on price.

  5. Support material printed under overhangs is thrown away afterwards.

  6. 'Clear' filament prints like window glass.

  7. A PLA print is fine left in a parked car through a Cape Town summer.

  8. 3D printed parts are too weak for genuine load-bearing work.

  9. Once the printer finishes, the job is finished.

Sensible use

Safety, storage and the fine print.

Ventilation

ABS and ASA give off fumes while printing. We run them in enclosed chambers with active filtration, which is exactly why they're a studio job and not a lounge-corner job.

Food and drink

Treat printed items as non-food-safe unless we've specifically told you otherwise. A dry cookie cutter is fine; a daily coffee mug isn't the right use of the technology.

Heat and sunlight

Don't leave a PLA piece on a dashboard or a windowsill. If something must live outdoors permanently, ask for ASA up front.

Small parts and children

Miniatures, small prints and snapped-off supports are choking hazards. These aren't certified toys for under-threes.

Design rights

We're glad to reproduce a part you own or a design you have the rights to. We won't reproduce someone else's protected design or branding without permission.

Glossary

Every word you'll hear us use.

Additive manufacturing
The formal name for 3D printing — building an object up in layers rather than cutting it out.
FDM / FFF
The melted-filament printing method our whole fleet uses.
Filament
The 1.75mm plastic string on a spool that FDM printers melt. Sold by the kilogram.
Nozzle
The heated brass or steel tip the melted plastic is pushed through. Usually 0.4mm across.
Bed / build plate
The heated surface the print is built on. Getting the first layer to stick to it is everything.
Build volume
The largest box a printer can print inside. Anything bigger gets split into parts and joined.
Layer height
How thick each layer is, from 0.08mm (fine, slow) to 0.28mm (coarse, fast).
Infill
The internal lattice inside a part, given as a percentage. Most prints sit at 15-25%.
Perimeter / wall
The solid outer shells of a part. More walls means more strength, more than infill does.
Supports
Temporary scaffolding printed under overhangs and removed afterwards.
Slicer
The software that converts a 3D model into printer instructions and settings.
G-code
Those instructions — the movement, temperature and flow commands the machine actually reads.
STL / 3MF
The two common file types a printable model arrives in. 3MF is the newer, richer one.
Adhesion
How well the first layer grips the bed. Poor adhesion is the most common cause of a failed print.
Warping
Corners curling up off the plate as the plastic cools and contracts. Worst on ABS and large flat parts.
Stringing
Fine hairs of plastic left between parts of a print as the nozzle travels. Cleaned off in finishing.
Elephant's foot
A slight outward bulge in the bottom layer or two, squashed out by the heat of the plate.
Purge
Plastic flushed through the nozzle to clear the previous colour before a filament change.
CFS
Creality Filament System — the multi-spool unit that lets one printer switch colours and materials mid-print.
Benchy
A small tugboat model used worldwide as a standard test print. Almost every printer's first job.

Beginner questions

The ones we get every single week.

Do I need a 3D file to get something printed?

No. If you have a file we'll use it, but most customers don't. Send photos, a sketch, or the broken part itself with rough measurements, and our modelling team builds the file for you before anything prints.

How long does a 3D print take?

The print itself runs for hours, not minutes — roughly 2-6 hours for a palm-sized functional part, and 30 hours or more for a large detailed display piece. Once modelling, prototyping and finishing are added, most Forge & Figures jobs turn around in about 3-7 days.

Are 3D printed parts strong enough to use for real?

Yes, when the material and settings match the job. A PETG or ABS part with thick walls handles genuine load, heat and impact. We wouldn't put a printed part into anything safety-critical like climbing gear or a vehicle's structure, and we'll say so if that's what you're asking for.

Can you copy a part I already own?

If it's your part and it isn't someone else's protected design, yes. Courier or drop off the original in Cape Town, we measure and reverse-engineer it into a printable model, and print the replacement. This works especially well for discontinued knobs, clips, brackets and trim pieces.

Is 3D printing cheaper than just buying the item?

For something still in production and sitting on a shelf, usually not — retail benefits from mass manufacturing. Printing wins when the item is discontinued, when it has to be a custom size or shape, when you need only one or two, or when you're testing a design before paying for tooling.

Can I put a 3D printed item in the dishwasher, or use it for food?

Assume not, unless we've told you otherwise for that specific piece. Layer lines create grooves that trap bacteria, most filaments aren't certified for repeated food contact, and dishwasher heat will soften PLA outright. Dry, short-contact items like cookie cutters are the sensible exception.

What's the largest thing you can print?

Each machine has a fixed build volume, so anything larger is designed as several pieces and joined — which is how big cosplay props and display builds are made everywhere. Send us the intended size and we'll tell you whether it's one piece or several.

More questions about ordering, shipping and payment are on the FAQ page.

Your run

0 of 3 challenges

Three challenges are hiding in this page.

Your turn

Now you know enough to ask for exactly what you want.

Send us a photo, a sketch, a broken part, or just a description of the thing in your head. We'll tell you honestly whether printing is the right answer, what it'll cost, and how long it'll take — no fixed hours, just message us.